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We believe that collecting and sharing powerful artists stories can help the art community worldwide to gain new knowledge, to unlock future potentials
and powerful visions.
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Roundtable:
I’m a twenty-two year old artist with a keen interest in a wide range of creative fields. I’ve gone from working in digital 2D to exploring 3D a whole lot. I guess it’s mostly because of my interest in the future of 3DCG cinematics.
I mean, if GPU rendering technology continues to progress, you’ll start seeing indie developers who are wanting to make a cinematic, too. This is why I don’t want to be a 2D-centric artist, I want to be more like Ash Thorp – he’s someone I like to think of as a true all-rounder. Now, this might make it difficult to categorize what I do, but you won’t see me fretting about it. I will always be inspired. So long as I can keep looking to Blur Studio, Digic Pictures and Square Enix to remind myself of what can people have achieved in this industry.
Question: Why Do We Follow Trends?
I want to ask something about trends. It seems rather prevalent for aspiring artists to follow styles and trends too closely.
I’ve seen a lot of stuff that looks just like Naughty Dog, Vitaly Bulgarov and so on. I’m wondering if this is stifling creativity in our field, or if it’s actually a good thing to follow these popular trends so closely.
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Why is it taking forever?
We’re glad to let you know that we’ve got five new interviews in the works! Now, you might be wondering, “Why is it taking forever to publish a new one?” And the answer to that is simple. Because of the requirements we have, the artist always has to write very in-depth answers to make the interview educational and worthwhile. We want you to walk away from each Vox Groovy exclusive feeling enriched and motivated. We ask more about the ideas for video games, techniques and processes used by AAA studios, or even artists’ stories from working for game developers.
These are sensitive questions. They take a lot more effort on the artist’s part. In some cases, the answers have to be discussed with the company’s PR department, too. Please, bear with us and stay tuned for a series of quality interviews for any concept art aficionado to enjoy.
Florian Coudray
If any of you like to keep up with Crash Bandicoot and Spyro, you’ll be more than happy to hear that one of our upcoming interviews is with Florian Coudray. He is a freelance concept artist living in Paris, France, and he’s spent the last couple of years working to bring us amazing artwork for Crash Bandicoot 4: It’s About Time. We talk about his colour palettes, the work one the two series we just mentioned, and the beautiful vegetation he painted for Kena: Bridge of Spirits.
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Prized unicorn – Magic The Gathering M20
AD: Ingvarsson, Taylor
Gavin O’Donnell
Gavin is an Irish concept artist who’s worked in the field of animation and video games for years now. He’s been with Brown Bag Films since early 2018 and has recently been promoted to a matte painter. Some of his past clients include 3dtotal, ImagineFX and Netflix.
Rudy Siswanto
In the world of digital art, Rudy Siswanto is a force to be reckoned with. He has produced countless illustrations for Hearthstone, League of Legends, and even Magic: The Gathering. If you’re curious, you can find one of his more recent pieces in LoL – the splash art for the new Marauder Kled skin.
Maciej Rebisz is a Polish concept artist and illustrator based in Warsaw. He currently at CD Projekt RED, so we invited him to talk about his work on Cyberpunk 2077 for you. It’s worth noting that Maciej is also very passionate about space, having on a short film for the ESA, various science magazine illustrations, and even an in-depth simulation MMO called Prosperous Universe.
Michal Lisowski – We’ve known about Lisowski’s artwork for years thanks to the “Nowhere Express” project and his many collaborations with Platige Image. This year, we finally decided to arrange an interview about the concepts he created for Cyberpunk 2077. You’ll learn about the thinking behind the Arasaka Corporation environments, his workflow, and even get advice to help make your art better.
Artwork – NSE “Verrier-Galle”
© Maciej Rebisz